Arts & Culture

Mentor-Native Photographer Johnny Joo Honored at Free Wildwood Reception on Aug. 27

Joo, who began photographing abandoned buildings as a Mentor High School student, showed work spanning Rust Belt decay and digital compositions at Wildwood.

By Staff · September 8, 2026

Mentor-Native Photographer Johnny Joo Honored at Free Wildwood Reception on Aug. 27

Wildwood Cultural Center hosted a free artist reception Aug. 27 for Mentor-native photographer Johnny Joo, whose work documenting abandoned architecture and surrealistic digital compositions earned a place on the City of Mentor's summer cultural calendar. The city describes Joo as an internationally acclaimed artist.

The choice to feature Joo — a photographer best known for turning his camera on decaying malls, asylums, churches, schools and industrial sites across Northeast Ohio and the broader Rust Belt — reflects a curatorial decision by the city's cultural arm about which local artists to elevate and what stories about place to endorse through publicly funded programming.

Joo's interest in the subject began at Mentor High School, where a school project led him into an abandoned farmhouse. "I loved the way nature wore it down to create something so dark and eerie, yet calm and beautiful," he said. The experience drew him deeper: "I got super interested in the whole science behind it and being able to capture a moment in time that would not happen again."

In 2012 he launched the Architectural Afterlife blog to showcase photography of abandoned buildings and forgotten structures, a project aimed at preserving history through images of decaying and historically significant locations, particularly in the Rust Belt. His books combine photographs with historical research. He self-published Empty Spaces: Photojournalism Through the Rust Belt in May 2014 and followed it with Americana Forgotten in May 2016, with a hardcover edition released that November. The city also lists his body of work as including spoken-word poetry, art installations and other digital and photographic projects.

For Joo, the abandoned places he documents are narratives waiting to be read. "I thought it was interesting to piece a life and history together — being able to know so much without ever having known any of the people beforehand," he said in a 2019 interview. "I think it's important that we not only look at the world around us, but that we truly see it... We need to take some time to stop and read before it's all gone."

Earlier this year, Joo exhibited work in Emergence, a collaborative exhibition with artist Tessa LeBaron that ran April 17 through June 19 at Suite 215 Gallery in Cleveland's 78th Street Studios.

How Wildwood Chooses What to Show

Wildwood Cultural Center is a City of Mentor Parks, Recreation and Public Lands Department facility housed in a manor built by the John G. Oliver family in 1908; the city purchased the estate in 1980. Its stated purpose is to support and encourage the development of the arts in the community through programs, courses and special events. Programming goals include advocating for cultural arts and their positive impact and providing educational experiences in visual, musical, performing and environmental arts.

Joo's reception is not the center's first showcase of an individual artist. Wildwood has also held receptions for the unVeiled Art Exhibition and for a Jennifer Overholser solo exhibition on Sept. 27, 2024. How staff select which voices to feature — and what weight ruin and abandonment carry as subject matter for a city-funded venue — remains an open question in the center's programming record.

Fitting Into the Summer Calendar

The Joo reception followed other summer 2026 events at Wildwood, including the Wildwood Arts & Wine Fest on June 20 and the Summer Nights on the Patio series, which ran Wednesdays from May 28 through Aug. 20. The city's summer calendar listed a 6:30 p.m. start time for events and advised guests to bring lawn chairs and blankets, with picnic tables limited. In case of rain, events moved indoors with limited seating. Refreshments were available for purchase at summer events except on Aug. 27, according to the calendar.

Beyond public programming, the cultural center hosts rentals, weddings, business meetings and special events. Private rentals yield about $14,000 a year and help fund public activities, according to News-Herald reporting. The city is also planning a nearly $1 million accessibility upgrade to the facility, with an estimated construction cost of $995,500 and bids due Sept. 4, 2026.

The Aug. 27 reception offered free admission and free parking at Wildwood Cultural Center, 7645 Little Mountain Road. With that upgrade on the horizon and a summer calendar built around events like Joo's reception, the question for residents tracking their city's cultural spending is straightforward: what do Wildwood's programming choices say about which local stories Mentor's civic institutions choose to tell?